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Reading Grimm: Redefining Family} ?> When I first read “Brother and Sister,” I was struck by how many familiar elements it contained that I knew from other fairy tales: siblings who are forced out on their own (like “Hansel and Gretel”); a wicked stepmother (like “Cinderella”) who is also a witch (like “Snow White”); that wicked stepmother also tries to usurp her stepchildren’s position with her own children (again, like “Cinderella”). Add in a little therianthropy (humans transforming into animals) and this odd fairy tale is a weird hodgepodge of tropes. But of all the familiar elements, it’s the portrayal of the domestic that strikes me as the most interesting.
As noted folklorist Jack Zipes commented, fairy tales were never the sole domain of children; however a key aspect of fairy tales is an attempt to understand the complexities of the world. Only a superficial reading of these stories would say that home is safe and the outside world is dangerous and full of predators.
In “Brother and Sister,” we see the strength of the familial bond between the main characters, but their home life is not safe. To escape the tyranny of their wicked stepmother, Brother and Sister leave their home to make their way into the world and, in essence, find their place in the world. In the broad strokes of fairy tales, stepmothers represent a disruption to the family unit. It’s a wholly unfair portrayal that still has negatively coloured stepparents, but as a sort of literary shorthand, it shows a family that looks whole on the surface with dysfunction just beneath. In the absence of a caring, nurturing home life, Brother and Sister embark on a search to find family.
What’s most interesting to me is that although Sister marries the King and has a child of her own, marriage and motherhood does not satisfy this quest for family. While the story is silent on whether her new home is loving, it’s worth noting that the King doesn’t even know when the wicked stepmother replaces Sister with another woman(!). At the end of the story, after the truth has been revealed and Sister returned, after the wicked have been punished, the “happily ever after” is that Brother and Sister are reunited.
Michael teaches English Literature and Film Studies. He is a professor at Booth University College in Winnipeg and his other publications are scholarly works. He's published on Hitchcock, Alec Guinness and James Bond. He likes coffee. A lot. And Jonah Ray follows him on Twitter.