Reading Grimm: Old Women are Evil

"Fairy Tale Illustration" | Art by ElDangerrible. Used with permission.
The evil queen in Snow White. The old woman in Hansel and Gretel. The witch in The Little Mermaid. Cinderella’s stepmother.

Are old ladies ever decent people in fairy tales?

In The Old Woman in the Wood, a poor servant-girl is traveling with the family she serves, and robbers attack. Everyone dies except her, and she takes refuge under a tree. A dove gives her keys that open the tree and she is provided with food, a bed, and riches. The dove asks for a favour in return: that she enter a cottage where an old woman lives and steal a ring.

“Fairy Tale Illustration 02” by ElDangerrible.

The word “witch” or “hag” is not used at this point, and yet warning bells still go off in my head. In the fairy tales I’ve read, the old women, the stepmothers, the queens—they’re always evil. And my suspicions are confirmed when she turns out to be a “wicked witch” who had transformed a prince into the very tree the serving girl had taken shelter under.

So why are so many old women typecast as evil? Maybe because, historically, mothers have had more influence on their children than fathers, and twisting that influence results in horrifying villains; someone who should be a nurturing role model turned into a psychotic murderer is terrifying indeed.

Or maybe because women of power were a frightening thought to the patriarchy. Maybe they still are. Consider how much influence these characters have—they’re usually queens, can use magic, or both. And yet they’ve become corrupt, often attacking the young protagonist in order to protect something they value, acting out of vanity or jealousy. Is that just what men expected to happen if a woman came to power without a prince by her side? Though in this story’s case, the witch doesn’t actually do anything to harm the girl. In fact, the girl is following the instructions of the dove on pure faith, blindly doing what she’s told.

If her handsome prince turns out to be a murderer who deserved to be a tree, maybe she shouldn’t assume old ladies are evil or marry someone after a second of knowing him next time.

Allison Barron

Allison Barron

Art Director at Geekdom House
Allison is like Galadriel, offering wisdom where needed but turning treacherous as the sea when competitive games are involved. She manages Geekdom House's arts initiatives, including Area of Effect and Incantatem. She spends the rest of her time writing for Christ and Pop Culture and Think Christian, playing D&D, and exploring Hyrule, Middle-earth, or a galaxy far, far away.
Allison Barron

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